This sensor supports 13.5 stops of dynamic range, which is especially good for shooting in mixed sunlight and shadow and low-light scenarios. Like the Ace Pro before, the Pure Video mode is what you'll want for low-light videos. Insta360 has increased the maximum frame rate to 60 fps in Pure Video mode, which is good for slowing things down in low light.
I think the Ace Pro 2 is better than anything else on the market in low light. In reviewing test footage from both, I found that the Ace Pro 2 did a slightly better job of preserving details than the DJI Osmo Action 5, which is otherwise very close. both blow gopro hero 13 black Out of water. If you want to shoot at night, don't take go pro,
Some of the impressive night and HDR capabilities may be partly due to the dual-chip processing architecture, which splits tasks between the primary and secondary imaging chipsets. One of these chips is the same as the one in the Ace Pro, but now it's joined by a second chip that can handle denoising, dynamic range, and so on separately. Whatever is happening behind the scenes, the results are quite good.
That said, the Insta360 has significantly increased the saturation at default settings, making it look worse than the previous model. Maybe I'm the only one who doesn't like oversaturated video, but to my eyes, the default color saturation mode in the Ace Pro 2 has a hyperreal quality that only Jean Baudrillard could love. Maybe that's just me.
There are, however, two new color modes to shoot with, and they're both good—Leica Natural and Leica Vivid. When I wasn't shooting in log I shot in Leica Natural, which is less saturated and produces a more realistic image, at least to my eyes.
To my knowledge, the Ace Pro 2 is the first action camera that does something I've done myself for years – it includes a windscreen above the microphone. Yes, I often add a little felt or even some extra “fur” dead cat On the mic input of my action camera. It's not perfect, but it helps, especially on a light windy day. Well, the Ace Pro 2 includes a nice wind guard with a little foam to cover the mic and it does the job. Shocking I know. Audio Engineering 101 wasn't lying. The advantage here is that you can leave on digital wind-noise reduction, which never works that well in my experience, and still record good audio in light winds.